sonambiente_discourse with
theoretical debate at tesla salon and the sonambiente_filmseries
iat Filmkunsthaus Babylon round out the programme. The sonambiente_website
presents net-specific projects and documents the festival. The 400-page sonambiente_catalogue
provides an introduction to the participating artists and their projects,
and also contains an expert discussion of the field, with 25 original contributions
on the theoretical issues in acoustic art..
sonambiente interprets the
city as an actual work of sound art. Art experience is conveyed as urban experience,
and vice versa. With art positioned at original showplaces and 'found locations'
throughout the centre of Berlin, the festival also pursues critical reflection
on urban development. sonambiente has been intentionally timed around the
football World Cup, when the acoustic rituals of massive passions for football
will lend a special tone to the city as sound art. Picking up on this, some
of the artists execute a playful double pass between football and art. In
addition, the festival extends an invitation to the sonambiente_public
viewing world cup sound art lounge in the Haus der Berliner Festspiele,
where all the football matches will be screened live and given full artistic
treatment. Berlin, one of the most important international centres for sound
art, was the venue for sonambiente in 1996, when the festival was first realised
with great success as part of the tercentenary celebration of the Akademie
der Künste. Under the joint auspices of the Akademie der Künste
and the Berliner Festspiele, sonambiente berlin 2006 revives the historic
time-honoured partnership that already created a sensation back in 1980 with
For Eyes And Ears, an exhibition by René Block and Nele Hertling that
was pioneering for the interdisciplinary arts.
Our sincere thanks go to all participating artists, our
backers, the cooperating and sponsoring institutions, and to all co-workers
and helpers for their commitment. Special thanks are owed to the Hauptstadtkulturfonds,
which made this project possible, and to the Polish Embassy in Berlin, which
has granted access to its former embassy quarters on Unter den Linden as the
German-Polish Culture Year draws to a close. We look forward to many open
eyes and ears!
Matthias Osterwold Georg Weckwerth