Annabella Supper +
Marlies Fuchs [A] Klang-Farbe Tone
and image piece: 2′
laboratorium Allianzgebäude am Ostbahnhof Class Bernhard Leitner Vienna
laboratorium Allianzgebäude am Ostbahnhof Class Bernhard Leitner Vienna
Klang-Farbe 2006 Aurally seeing or visually hearing – the possibilities
of synaesthetic perception, the duality of sound and colour, are analysed
in a radical reduction in the two-minute tone and image piece. Sine waves
in four different frequencies, the colour blue in four hues, and precisely
indicated time values form the parameters, which are superimposed in phased
displacement; their harmonies mutually influence each other, intensifying,
weakening, or even disappearing altogether.[...]
A concept involving rational stringency and stringent reduction: yet the assignment of a clearly defined tonal colour remains open.
A concept involving rational stringency and stringent reduction: yet the assignment of a clearly defined tonal colour remains open.
Marlies Fuchs,
born 1977 in Deutschlandsberg [A], lives and works since 2005 on La Réunion.
In Vienna, she studied design until 2003 at the Universität für
Angewandte Kunst, majoring in new media, under Bernhard Leitner, and history
and social studies at the Universität Wien. Her material-installations
have themes moving at the borders between two- and three-dimensional space.
Since 1999, Marlies Fuchs has been a member of a group of artists in Vienna
who are working on the reconstruction and performance of Ludwig Hirschfeld-Mack's
colour-light films.
Annabella Supper,
born 1979 in Eisenstadt [A], lives in Vienna. She has studied design at the
Universität für Angewandte Kunst Vienna with a concentration in
new media under Prof. Bernhard Leitner since 1997, as well as music education
at the Universität für Musik und darstellende Kunst Vienna, a piano
major under Adrian Cox. At the centre of her artistic works are audiovisual
investigations, whose material basis often stems from the immediate urban
environment – 2006 diplomiert A. Supper did her dissertation on acoustic
signage in Vienna's public space. Since 1999, she has worked with Viennese
artists on the reconstruction and performance of the colour-light films of
Ludwig Hirschfeld-Mack.
