| Nina Fischer/Maroan el Sani & Robert Lippok | 
 Radio Solaris. Erinnerungen an die Zukunft Performances 
    
Volksbühne am Rosa-Luxemburg-Platz. Sun 4.6. 21:00
New film works by Nina Fischer and Maroan el Sani
with live music by Robert Lippock, electronics. Radio Solaris / -273,15°C =0Kelvin [double projection, DV, stereo, colour, 16 minutes, 2004 — with, live: Robert Lippok, electronics with Johann von Schubert, drums and percussion] TME — Tokyo Metropolitan Expressway, [ double projection, DV, Stereo, colour, 4 minutes, 2004— with, live: Robert Lippok, electronics with Johann von Schubert, drums and percussion.] Toute la mémoire du monde — Alles Wissen dieser Welt [double projection, 35mm film transferred to HD, stereo, colour, 9 minutes, 2006 — filmmusic: Patric Catani.] Schwarzes Metall, Robert Lippok live [ca. 35′minutes 2006, with Johann von Schubert, drums and percussion.]
In cooperation with Volksbühne am Rosa-Luxemburg-Platz.
			
			Volksbühne am Rosa-Luxemburg-Platz. Sun 4.6. 21:00
New film works by Nina Fischer and Maroan el Sani
with live music by Robert Lippock, electronics. Radio Solaris / -273,15°C =0Kelvin [double projection, DV, stereo, colour, 16 minutes, 2004 — with, live: Robert Lippok, electronics with Johann von Schubert, drums and percussion] TME — Tokyo Metropolitan Expressway, [ double projection, DV, Stereo, colour, 4 minutes, 2004— with, live: Robert Lippok, electronics with Johann von Schubert, drums and percussion.] Toute la mémoire du monde — Alles Wissen dieser Welt [double projection, 35mm film transferred to HD, stereo, colour, 9 minutes, 2006 — filmmusic: Patric Catani.] Schwarzes Metall, Robert Lippok live [ca. 35′minutes 2006, with Johann von Schubert, drums and percussion.]
In cooperation with Volksbühne am Rosa-Luxemburg-Platz.
 
			 Zero degrees on the Kelvin 
    scale is absolute zero, the lowermost limit of the temperature scale. According 
    to Nernst's heat theorem, the absolute zero of 273,15°C = 0 Kelvin is 
    fundamentally unattainable. Kelvin, the hero of Andrei Tarkovsky's science 
    fiction film Solaris, has once more set off, this time not to liquidate the 
    space station »Solaris«, but for the former GDR broadcasting centre 
    on Nalepastraße in Berlin. As in Solaris, a mysterious disorder in the 
    broadcasting centre leads to a process of dissolution, whose force materialises 
    desires, memories and traumata as »guests«. In 
    a double projection, Kelvin's subjective eye glides slowly through 
    the empty rooms. What is seen and what is imagined unfold in parallel fashion, 
    the past in the present. If the future hasn't become what it was once meant 
    to be, does that then mean, arguing to the contrary, that in the future, the 
    past can be corrected at will? Both showplaces, the space station Solaris 
    and the GRD broadcasting centre on Nalepastraße, testify to a failed 
    utopia. TME – Tokyo Metropolitan Expressway 
    1970/2005 »For their 10-part video installation Radio Solaris 
    / 273,15°C = 0 Kelvin at the Yamaguchi Center for Arts and Media, Japan, 
    Fischer and el Sani produced a new section in Tokyo – a double projection 
    with two trips on the expressway. One projection shows an original scene from 
    Tarkovsky's Solaris (1970), a ride on the TME; the other a remake of this 
    scene, shot in 2005. Both sequences are much the same, only the brief moments 
    outside the tunnel give the idea that time has passed, because there are more, 
    and bigger, high-rise buildings.« Robert Lippok 
    on the music: The significant thing about the levels of sound in Tarkovsky's 
    films is often the way noises and music are interwoven. On one hand, the noises 
    that – sometimes through exaggeration, sometimes through alienation 
    – make conventional film music completely superfluous. On the other, 
    the music, often generated electronically, whose strangeness creates what 
    he calls an »ersatz reality«. In Solaris these two elements mix 
    in an ingenious way and generate an intense atmosphere that goes far beyond 
    mere illustration of the pictures.
	
			
			
Nina Fischer, born 1965 in Emden Maroan el Sani, 1966 in Duisburg; Robert Lippok, born 1966 in Berlin; all live and work in Berlin. www.eigen-art.com www.wohnmaschine.de www.raster-noton.de


